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| Category: |  Medieval Art |
| Name: |  Master of Flemalle (Robert Campin) |
| Birth Year: | c. 1376 |
| Death Year: | 1444
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| Representative Image: |  |
| Biography, Lectures, and Research Links: |
Malaspina Great Books -
Master of Flemalle (Robert Campin) (c. 1376-1444)
Biography
Blog Master of Flemalle (Robert Campin)
Netherlandish painter named after three paintings in the Stadelsches Kunstinstitut in Frankfurt that were wrongly supposed to have come from Flemalle, near Liege. There is a strong consensus of scholarly opinion that he is to be identified with Robert Campin (active 1406-44), who was the leading painter of his day in Tournai but none of whose documented pictures survive. The identification depends on the similarity between the Master of Flemalle's paintings and those of Jacques Daret and Rogier van der Weyden, for Daret was Campin's pupil and Rogier almost certainly was. The hypothesis that the Master of Flemalle's paintings are early works by Rogier now has few adherents.
While there is still doubt about the Master of Flemalle's identity, there is no argument about his achievement, for he made a radical break with the elegant International Gothic style and ranks with van Eyck as one of the founders of the Netherlandish school of painting. None of the paintings given to him is dated -- with the exception of the wings of the Werl altarpiece of 1438 in the Prado, a doubtful attribution -- but it seems likely that his earliest works antedate any surviving picture by van Eyck. The earliest of all is generally thought to be The Entombment (Courtauld Institute, London) of about 1410/20. This still has the decorative gold background of medieval tradition, but the influence of Claus Sluter is clear in the sculptural solidity and dramatic force of the figures. The most famous work associated with the Master of Flemalle is the Merode Altarpiece (Metropolitan Museum, New York), and he is indeed sometimes referred to as the Master of Merode. However, the attribution of this painting has also been questioned. Among the other works generally accepted as his are The Marriage of the Virgin (Prado, Madrid), The Nativity (Musee des Beaux-Arts, Dijon), and The Virgin and Child before a Firescreen (National Gallery, London), which shows the homely detail and down-to-earth naturalism associated with the artist (the firescreen behind the Virgin's head forms a substitute for a halo). The National Gallery also has three portraits associated with the Master of Flemalle. In spite of the many problems that still surround him, he emerges as a very powerful and important artistic personality. [Adapted from Webmuseum]
The Great Books: Master of Flemalle
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| Library Catalogs: | COPAC UK: Master of Flemalle
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| External Links: | Representative Image: Portrait of a Man (1400-10)
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| Records from Related Period and Category: | Medieval Art
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About
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This web page is part of a biographical database on Great Ideas. These are living ideas that have shaped, defined and directed world culture for over 2,500 years. By definition the Great Ideas are radical. As such they are sometimes misread, or distorted by popular simplifications. Understanding a Great Idea demands personal engagement. Our selection of Great Ideas is drawn from literature and philosophy, science, art, music, theatre, and cinema. We also include biographies of pivotal historical and religious figures, as well as contributions from women and other historically under-represented minorities. The result is an integrated multi-cultural and multi-disciplinary database built upon the framework of the always controversial Great Books Core List published in 1940 by the late Great Books Pioneer Mortimer Adler (1902-2001). Most of the works on that list are available in the 60 volume Great Books of the Western World.
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