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Category:Literature
Ancient Literature
Name:Lucian of Samosata

Lucian the Blasphemer
Birth Year:c. 120 CE
Death Year:c. 190 CE
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Greek satirist of the Silver Age of Greek literature, was born at Samosata on the Euphrates in northern Syria. He tells us in the Somnium or Vita Luciani, that, his means being small, he was at first apprenticed to his maternal uncle, a statuary, or rather sculptor of the stone pillars called Hermae. Having made an unlucky beginning by breaking a marble slab, and having been well beaten for it, he absconded and returned home. Here he had a dream or vision of two women, representing Statuary and Literature. Both plead their cause at length, setting forth the advantages and the prospects of their respective professions; but the youth chooses Haukia, and decides to pursue learning. For some time he seems to have made money as a prirup, following the example of Demosthenes, on whose merits and patriotism he expatiates in the dialogue Demosthenis Encomium. He was very familiar with the rival schools of philosophy, and he must have well studied their teachings; but he lashes them all alike, the Cynics, perhaps, being the chief object of his derision. Lucian was not only a sceptic; he was a scoffer and a downright unbeliever. He felt that men's actions and conduct always fall far short of their professions and therefore he concluded that the professions themselves were worthless, and a mere guise to secure popularity or respect. Of Christianity he shows some knowledge, and it must have been somewhat largely professed in Syria at the close of the 2nd century. In the Philopatris, though the dialogue so called is generally regarded as spurious, there is a statement of the doctrine of the Trinity, and the “Galilaean” who had ascended to the third heaven," and "renewed " by the waters of baptism, may possibly allude to St Paul. In the Alexander we are told that the province of Pontus, due north of Syria, was " full of Christians."

Timon is a very amusing and witty dialogue. The misanthrope, once wealthy, has become a poor farm-labourer, and reproaches Zeus for his indifference to the injustice of man. Zeus declares that the noisy disputes in Attica have so disgusted him that he has not been there for a long time. He tells Hermes to conduct Plutus to visit Timon, and see what can be done to help him. Plutus, who at first refuses to go, is persuaded after a long conversation with Hermes, and Timon is found by them digging in his field. Poverty is unwilling to resign her votary to wealth; and Timon himself is with difficulty persuaded to turn up with his mattock a crock of gold coins. Now that he has once more become rich, his former flatterers come cringing with their congratulations and respects, but they are all driven off with broken heads or pelted with stones. Between this dialogue and the Plutus of Aristophanes there are many close resemblances.

Hermotimus is one of the longer dialogues, Hermotimus, a student of the Stoic philosophy for twenty years, and Lucian (Lycinus) being the interlocutors. The long time - forty years at the least - required for climbing up to the temple of virtue and happiness, and the short span of life, if any, left for the enjoyment of it, are discussed. That the greatest philosophers do not always attain perfect indifference, the Stoic ultimatum, is shown by the anecdote of one who dragged his pupil into court to make him pay his fee, and again by a violent quarrel with another at a banquet. Virtue is compared to a city with just and good and contented inhabitants; but so many offer themselves as guides to the right road to virtue that the inquirer is bewildered. What is truth, and who are the right teachers of it? The question is argued at length, and illustrated by a peculiar custom of watching the pairs of athletes and setting aside the reserved combatant at the Olympian games by the marks on the ballots. This, it is argued, cannot be done till all the ballots have been examined; so a man cannot select the right way till he has tried all the ways to virtue. But to know the doctrines of all the sects is impossible in the term of a life. To take a taste of each, like trying a sample of wine, will not do, because the doctrines taught are not, like the crock of wine, the same throughout, but vary or advance day by day. A suggestion is made that the searcher after truth should begin by taking lessons in the science of discrimination, so as to be a good judge of truth before testing the rival claims. But who is a good teacher of such a science? The general conclusion is that philosophy is not worth the pursuit. "If I ever again," says Hermotimus, "meet a philosopher on the road, I will shun him, as I would a mad dog."

The Anacharsis is a dialogue between Solon and the Scythian philosopher, who has come to Athens to learn the nature of the Greek institutions. Seeing the young men performing athletic exercises in the Lyceum, he expresses his surprise at such a waste of energy. This gives Socrates an opportunity of descanting at length on training as a discipline, and emulation as a motive for excelling. Love of glory, Solon says, is one of the chief goods in life. The argument is rather ingenious and well put; the style reminds us of the minor essays of Xenophon.

These are the chief of Lucian's works. Many others, e.g. Prometheus, Menippus, Life of Demonax, Toxaris, Zeus Tragoedus, The Dream or the Cock, Icaromenippus (an amusing satire on the physical philosophers), are of considerable literary value. [Adapted from Encyclopedia Britannica (1911)]

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Lucian the Blasphemer

Summary of Notes adapted from
Lucian: A Selection by M.D. MacLeod and other sources


Lucian of Samosata, otherwise known as Lucian the Blasphemer, or the Slanderer, or, mor accurately, the Athiest, because in his dialogues he even makes fun of religion. He was born somewhere about the time of Trajan. He practiced for a time as a barrister at Antioch in Syria, but did so badly that he turned to literature. He has said to have been torn apart by dogs because he had been so rabid against the truth -- for in his death of Peregrinus the filthy brute attacks Christianity and blasphemes Christ himself. So he was adequately punished in this world, and in the next he will inherit eternal fire with Satan.

Born in Somsat Turkey around 117 AD. Eighty works survive. What we do know of the real Lucian is extracted -- with a grain of salt -- from his works. It has been reported that his wife sued him for divorce because he had relations with an older man. This indeed is an extraction -- but misreading of his self reference of having married a woman named Rhetoric but fallen in love with a man named Dialogue!

He did study until 14 at Samosata. He then studied Rhetoric probably at Tarsus. He later began to earn a living as a barrister and as a traveling lecturer. After touring Greece and Italy he landed a position as a well-paid lecturer of Literature in France -- or Gaul. At this point he became famous throughout the Roman Empire.

At 40 he settled in Athens. He met there a philosopher named Demonax -- and invented his own brand of dialogue.

In old age he accepted a post on the staff of the Governor of Egypt. In his story Alexander he refers to the late great Marcus Aurelius, this would date him to about 180 AD.

He makes fun of religion and philosophy equally, and at a time when Plato's prescription for a philosopher king had been realized in Marcus. At the time Marcus had uin fact established Chairs for the four great philosophical schools in the then empire: the Stoics, the Epicurians, the Academics and the Peripatetics, and, the Pythagoreans, Cynics, and Sceptics were also very popular. These philosophical schools are said to have prepared the ground for an unprecedented crop of new religions: Attis, Bendis, Mithras, and Christianity. Not all of the philosophic schools were receptive to this trend. But materialists, the Epicurians in particular, campaigned against all forms of religion and supernaturalism. One Epicurian, Celsus, wrote an attack on Christianity that provoked a famous response from Origen.

In his Peregrinus, Lucian satirizes the Christians like this:

They still worship that great man, the fellow who was crucified in Palestine, for bringing this new cult into the world...they are always incredibly quick off the mark, when one of them [in the Peregrinus] gets into trouble like this - in fact they ignore their own interests completely. Why they actually send him large sums of money by way of compensation for his imprisonment, so that they made a considerable profit out of them! For the poor souls have persuaded themselves that they are immortal and will live forever. As a result, they think nothing of death, but most of them are perfectly willing to sacrifuice themselves. Besides, their first law-giver has convinced them that once they stop believing inb Greek gods, and start worshipping that crucified sage of theirs, and living according to his laws, they are all each other's brothers anbd sisters. So, takimngv this information on trust, without any guarantee of its truth, they think nothing else matters, and believe in common ownership - which means that any unscrupulous adventurer who comes along can soon make a fortune out of them, for the silly creatures are very easily taken in.

The account while patronizing does in fact faithfully record the admirable traits of the Christians, without admiring those himself.

The whale passage in the True History was seen as a malicious parody of the Johan-story in the bible; the Isle of the Blest becomes a caricature of New Jerusalem. One medieval wag said that the only reason the earth did not open up and swallow Lucian for such blasphemies was that the Earth found him too disgusting to swallow!

Other reactions to Lucian:

1): a fearless crusader against superstition;
2): an apostle for common sense;
3): a martyr for rationalism;
4): a solitary figure struggling desperately to hold up the torch of truth as the dark ages inexorably closed in around him. This is wonderfully romantic picture.

Will the real Lucian Please Stand up: cloven hoofed beast, or martyr for truth?

Schooling: Second Sophistic and Doctrine of Imitation. Meaning continuing the tradition of excellence.

Techniques he drew from: 1): dikanikos logos: a dramatic legal scene; and 2): ekphrasis: to describe a visual object as vividly as possible. What you really said here was unimportant -- the exercise was to say it as convincingly as you could.

Lucian's allusions were stolen, as were most of his situations. Exceptions are few -- Sorcerer's apprentice in his Pathological Liar was original. Bur Shakespeare did the same. But Shakespeare did not intend his audience to recognize his borrowings. But Lucian (and Milton) intended the audience to notice how borrowed material was rehandled. This tradition was stared by Homer.

Little of what he does makes any reference to contemporary situations.

His mockeries of the gods had little impact as the gods had long since been not taken seriously. Ditto Christianity: he says little, because there wasn't much from his past that he might have used to mock. The controversial tone of his writings was a sign not of emotional involvement but of a rhetorical training -- [like a good modern comic.]

He is consistent. He seemed to strongly oppose obscurantism.

Influences

Art influences: Botticelli, Durer, and Degas.
Music: L'Apprenti Sorcier by Dukas.
Authors: Erasmus, Rabelais, Cervantes, Voltaire, Goethe, More and Swift!

Thomas More's Utopia is a strong echo of the True History. In the 16th c, Lucian was on the normal grammar school syllabus. Marlowe's famous line Was this the face that launched a thousand ships was a versification of a remark by Menippus in Conversations in the Underworld. Ben Johnson based scenes of his works from Lucian, as in all likelihood was the grave scene in hamlet modeled on a Lucian analogue. Shakespeare's Timon of Athens was based on Lucian's Timon.

Gulliver's Travels was based on True History by Swift. Swift's science on the Island of Glubbdubdribb, where Gulliver interviews Homer, is borrowed from Lucian. Fielding borrows whole passages of the true histories from Lucian in his The Marvellous Travels of Baron Munchhausen (1785). The romantic poet Shelley borrowed from Lucian's mock tragedy Ocypus in his [Shelley's Oydipus Tyrannis and Swellfoot the Tyrant.

In Browning's Pippa Passes Lucian's character Menippus enters as Browning's character Bluphocks.

The first Men in the Moon by H.G. Wells was a remote descendent of True History, so in a real sense Lucian can be held responsible for modern science fiction and fantasy.

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Selected Satires of Lucian
The Passing of Peregrinus

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