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Category:Music
Modern Music
Name:Richard Strauss
Birth Year:1864
Death Year:1949
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Blog Richard Strauss

Richard Strauss (1864-1949) was a German composer of classical music particularly noted for his tone poems and operas. He was also a noted conductor. He was born on June 11, 1864 in Munich, Germany, the son of Franz Strauss who was the principal French horn player at the Court Opera in Munich. He received a thorough, but conservative, musical education from his father in his youth, and began to compose at a very early age. In 1882 he entered Munich University, but left a year later to go to Berlin. There he studied briefly before securing a post as assistant conductor to Hans von Bulow taking over from him at Munich when he resigned in 1885. His compositions around this time were quite conservative, in the style of Robert Schumann or Felix Mendelssohn, true to his father's teachings. This began to change when he met Alexander Ritter, a noted violinist and the husband of one of Richard Wagner's nieces. It was he who first got Strauss seriously interested in the music of Wagner. This newly found interest resulted in what is widely regarded as Strauss' first piece to show his mature personality, the tone poem Don Juan. When this was premiered in 1889, half of the audience cheered while the other half booed. Strauss knew he had found his own musical voice, saying "I now comfort myself with the knowledge that I am on the road I want to take, fully conscious that there never has been an artist not considered crazy by thousands of his fellow men." Strauss went on to write a series of other tone poems, including Also sprach Zarathustra in 1896, well known today for its use in the film 2001: A Space Odyssey. Around the end of the 19th century, Strauss turned his attention to opera. His first two attempts in the genre, Guntram in 1894 and Feuersnot in 1901 were critical failures. However, in 1905 he produced Salome (based on the play by Oscar Wilde), and the reaction was as passionate and extreme as it had been with Don Juan. When it opened at the Metropolitan Opera in New York, there was such a public outcry that it was closed after just one performance.

Strauss (1964) by Robert Cassan) Doubtless, much of this was down to the subject matter, but Strauss had also used dissonance in a way that was rare at that time in the opera house. Strauss' next opera was Elektra, which took his use of dissonance even further. It was also the first opera in which Strauss collaborated with the poet Hugo von Hofmannsthal. The two would work together on numerous other occasions. For these later works, however, Strauss moderated his harmonic language somewhat, with the result that works such as Der Rosenkavalier (1910) were great public successes. Strauss continued to produce operas at regular intervals into the 1930s. There is much controversy surrounding Strauss' role in Germany after the Nazi Party came to power. Some say that he was constantly apolitical, and never cooperated with the Nazis completely. Others point out that he was an official of the Third Reich, and that although his post was largely ceremonial, he should have spoken out against the Nazis. Many have pointed out that Strauss' grandchildren were part-Jewish, and suggested that this may have stopped him speaking out. Strauss took a risk in refusing to remove from the publicity for the premiere of Die schweigsamer Frau the name of its Jewish librettist, Stefan Zweig. There are also suggestions that he attempted to use his official position to protect Jewish friends and colleagues. In 1948, Strauss wrote his last work, the Four Last Songs for high voice and orchestra. All his life he had produced lieder, but these are probably the best known. Strauss' harmonic and melodic language was looking somewhat old-fashioned by this time, when compared to the work of younger composers. Nevertheless, the songs have always been popular with audiences and performers. Richard Strauss died on September 8, 1949 in Garmisch-Partenkirchen, Germany. Note. Richard Strauss was not related to, and should still less be confused with, Johann Strauss or his sons, Viennese composers of popular waltzes. [This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on Richard Strauss.]

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This web page is part of a biographical database on Great Ideas. These are living ideas that have shaped, defined and directed world culture for over 2,500 years. By definition the Great Ideas are radical. As such they are sometimes misread, or distorted by popular simplifications. Understanding a Great Idea demands personal engagement. Our selection of Great Ideas is drawn from literature and philosophy, science, art, music, theatre, and cinema. We also include biographies of pivotal historical and religious figures, as well as contributions from women and other historically under-represented minorities. The result is an integrated multi-cultural and multi-disciplinary database built upon the framework of the always controversial Great Books Core List published in 1940 by the late Great Books Pioneer Mortimer Adler (1902-2001). Most of the works on that list are available in the 60 volume Great Books of the Western World.

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